It’s almost impossible to pick standout episodes and characters. The joke density in each episode of Happy Endings is intense and rapid-fire, and the writing is endlessly funny and often verges into the absurd. But the differences extend beyond style (no laugh track, single-camera), generation and of course popularity. After all, Happy Endings is a hangout ensemble sitcom it features a sibling pair (Alex and Jane are the Kerkovich sisters) and a runaway bride. Capse referenced it in interviews and in the show itself when Brad, high on “goof juice” after a dentist appointment, points to each of his pals announcing their corresponding archetype: Jane/Monica, Dave/Ross, Alex/Rachel, Penny/Phoebe, Max/Joey and Brad/Chandler. The comparison between Happy Endings and Friends was inevitable from the start. The central relationship of the show is not a will they, won’t they between Alex and Dave, it’s the one between the friends.Īnd so we must address the elephant in the cafe. Sure, it starts with failed nuptials and wraps each season at a wedding, but don’t let that fool you. Released in the era of romcom sitcoms like New Girl and The Mindy Project, it’s easy to misinterpret Happy Endings from the outside. ![]() ![]() ![]() As Wilson puts it in her memoir (a must-read): “You have either seen Happy Endings and love it beyond measure … or you’ve simply never heard of it.” Created a decade ago by David Capse, Happy Endings, like most marriages, was sadly short-lived, lasting only three seasons before being cancelled in 2013.
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